Austen Said:

Patterns of Diction in Jane Austen's Major Novels

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“Perhaps you are not sitting in this room, and I am not sitting by you. These are points in which a doubt is equally possible. Not keep a journal! How are your absent cousins to understand the tenour of your life in Bath without one? How are the civilities and compliments of every day to be related as they ought to be, unless noted down every evening in a journal? How are your various dresses to be remembered, and the particular state of your complexion, and curl of your hair to be described in all their diversities, without having constant recourse to a journal? My dear madam, I am not so ignorant of young ladies’ ways as you wish to believe me; it is this delightful habit of journaling which largely contributes to form the easy style of writing for which ladies are so generally celebrated. Everybody allows that the talent of writing agreeable letters is peculiarly female. Nature may have done something, but I am sure it must be essentially assisted by the practice of keeping a journal.”
“Bath, compared with London, has little variety, and so everybody finds out every year. ‘For six weeks, I allow Bath is pleasant enough; but beyond that, it is the most tiresome place in the world.’ You would be told so by people of all descriptions, who come regularly every winter, lengthen their six weeks into ten or twelve, and go away at last because they can afford to stay no longer.”
"Even so. You would be surprised to hear how often I watched you, how often I was on the point of falling in with you. I have entered many a shop to avoid your sight, as the carriage drove by. Lodging as I did in Bond Street, there was hardly a day in which I did not catch a glimpse of one or other of you; and nothing but the most constant watchfulness on my side, a most invariably prevailing desire to keep out of your sight, could have separated us so long. I avoided the Middletons as much as possible, as well as everybody else who was likely to prove an acquaintance in common. Not aware of their being in town, however, I blundered on Sir John, I believe, the first day of his coming, and the day after I had called at Mrs. Jennings's. He asked me to a party, a dance at his house in the evening. — Had he NOT told me as an inducement that you and your sister were to be there, I should have felt it too certain a thing, to trust myself near him. The next morning brought another short note from Marianne — still affectionate, open, artless, confiding — everything that could make MY conduct most hateful. I could not answer it. I tried — but could not frame a sentence. But I thought of her, I believe, every moment of the day. If you CAN pity me, Miss Dashwood, pity my situation as it was THEN. With my head and heart full of your sister, I was forced to play the happy lover to another woman! — Those three or four weeks were worse than all. Well, at last, as I need not tell you, you were forced on me; and what a sweet figure I cut! — what an evening of agony it was! — Marianne, beautiful as an angel on one side, calling me Willoughby in such a tone! — Oh, God! — holding out her hand to me, asking me for an explanation, with those bewitching eyes fixed in such speaking solicitude on my face! — and Sophia, jealous as the devil on the other hand, looking all that was — Well, it does not signify; it is over now. — Such an evening! — I ran away from you all as soon as I could; but not before I had seen Marianne's sweet face as white as death. — THAT was the last, last look I ever had of her; — the last manner in which she appeared to me. It was a horrid sight! — yet when I thought of her to-day as really dying, it was a kind of comfort to me to imagine that I knew exactly how she would appear to those, who saw her last in this world. She was before me, constantly before me, as I travelled, in the same look and hue."
"I shall always look back on our theatricals with exquisite pleasure. There was such an interest, such an animation, such a spirit diffused. Everybody felt it. We were all alive. There was employment, hope, solicitude, bustle, for every hour of the day. Always some little objection, some little doubt, some little anxiety to be got over. I never was happier."
"from one's earliest years. His celebrated passages are quoted by everybody; they are in half the books we open, and we all talk Shakespeare, use his similes, and describe with his descriptions; but this is totally distinct from giving his sense as you gave it. To know him in bits and scraps is common enough; to know him pretty thoroughly is, perhaps, not uncommon; but to read him well aloud is no everyday talent."
"in order to have a comfortable walk, something more is necessary than merely pacing this gravel together. You must talk to me. I know you have something on your mind. I know what you are thinking of. You cannot suppose me uninformed. Am I to hear of it from everybody but Fanny herself?"
"It was a lovely morning, and at that season of the year a fine morning so often turned off, that it was wisest for everybody not to delay their exercise";
"Cruelty, do you call it? We differ there. No, hers is not a cruel nature. I do not consider her as meaning to wound my feelings. The evil lies yet deeper: in her total ignorance, unsuspiciousness of there being such feelings; in a perversion of mind which made it natural to her to treat the subject as she did. She was speaking only as she had been used to hear others speak, as she imagined everybody else would speak. Hers are not faults of temper. She would not voluntarily give unnecessary pain to any one, and though I may deceive myself, I cannot but think that for me, for my feelings, she would— Hers are faults of principle, Fanny; of blunted delicacy and a corrupted, vitiated mind. Perhaps it is best for me, since it leaves me so little to regret. Not so, however. Gladly would I submit to all the increased pain of losing her, rather than have to think of her as I do. I told her so."