Austen Said:

Patterns of Diction in Jane Austen's Major Novels

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—There was no being displeased with such an encourager, for his admiration made him discern a likeness almost before it was possible. She could not respect his eye, but his love and his complaisance were unexceptionable.
The sitting was altogether very satisfactory; she was quite enough pleased with the first day's sketch to wish to go on.
There was no want of likeness, she had been fortunate in the attitude,
and as
she meant to throw in
a little improvement to the figure, to give a little more height, and considerably more elegance,
she had great confidence of
its being in every way a pretty drawing at last, and
of
its filling its destined place with credit to them both —a standing memorial of the beauty of one, the skill of the other, and the friendship of both; with as many other agreeable associations as Mr. Elton's very promising attachment was likely to add.
Harriet was to sit again the next day; and Mr. Elton, just as he ought, entreated for the permission of attending and reading to them again.
The same civilities and courtesies, the same success and satisfaction, took place on the morrow, and accompanied the whole progress of the picture, which was rapid and happy. Every body who saw it was pleased, but Mr. Elton was in continual raptures, and defended it through every criticism.
"Miss Woodhouse has given her friend the only beauty she wanted,"—
observed Mrs. Weston to him— not in the least suspecting that she was addressing a lover.—
"The expression of the eye is most correct, but Miss Smith has not those eyebrows and eyelashes. It is the fault of her face that she has them not."
"Do you think so?"
replied he.
"I cannot agree with you. It appears to me a most perfect resemblance in every feature. I never saw such a likeness in my life. We must allow for the effect of shade, you know."
"You have made her too tall, Emma,"
said Mr. Knightley.
Emma knew that she had, but would not own it; and Mr. Elton warmly added,
"Oh no! certainly not too tall; not in the least too tall. Consider, she is sitting down—which naturally presents a different— which in short gives exactly the idea— and the proportions must be preserved, you know. Proportions, fore-shortening.—Oh no! it gives one exactly the idea of such a height as Miss Smith's. Exactly so indeed!"
"It is very pretty,"
said Mr. Woodhouse.
"So prettily done! Just as your drawings always are, my dear. I do not know any body who draws so well as you do. The only thing I do not thoroughly like is, that she seems to be sitting out of doors, with only a little shawl over her shoulders—and it makes one think she must catch cold."
"But, my dear papa, it is supposed to be summer; a warm day in summer. Look at the tree."
"But it is never safe to sit out of doors, my dear."
"You, sir, may say any thing,"
cried Mr. Elton,
"but I must confess that I regard it as a most happy thought, the placing of Miss Smith out of doors; and the tree is touched with such inimitable spirit! Any other situation would have been much less in character. The naivete of Miss Smith's manners—and altogether— — Oh, it is most admirable! I cannot keep my eyes from it. I never saw such a likeness."
The next thing wanted was to get the picture framed; and here were a few difficulties. It must be done directly; it must be done in London; the order must go through the hands of some intelligent person whose taste could be depended on; and Isabella, the usual doer of all commissions, must not be applied to, because it was December, and Mr. Woodhouse could not bear the idea of her stirring out of her house in the fogs of December. But no sooner was the distress known to Mr. Elton, than it was removed. His gallantry was always on the alert.
"Might he be trusted with the commission, what infinite pleasure should he have in executing it! he could ride to London at any time. It was impossible to say how much he should be gratified by being employed on such an errand."
"He was too good!—she could not endure the thought!—she would not give him such a troublesome office for the world,"—
brought on the desired repetition of entreaties and assurances,—and a very few minutes settled the business.
Mr. Elton was to take the drawing to London, chuse the frame, and give the directions; and
Emma thought
she could so pack it as to ensure its safety without much incommoding him,
while he seemed mostly fearful of not being incommoded enough.
"What a precious deposit!"
said he with a tender sigh, as he received it.
"This man is almost too gallant to be in love,"
thought Emma.
"I should say so, but that I suppose there may be a hundred different ways of being in love. He is an excellent young man, and will suit Harriet exactly; it will be an
'Exactly so,'
as he says himself; but he does sigh and languish, and study for compliments rather more than I could endure as a principal. I come in for a pretty good share as a second. But it is his gratitude on Harriet's account."
The very day of Mr. Elton's going to London produced a fresh occasion for Emma's services towards her friend. Harriet had been at Hartfield, as usual, soon after breakfast; and, after a time, had gone home to return again to dinner: she returned, and sooner than had been talked of, and with an agitated, hurried look, announcing something extraordinary to have happened which she was longing to tell. Half a minute brought it all out.
She had heard,
as soon as she got back to Mrs. Goddard's,
that
Mr. Martin had been there an hour before, and finding she was not at home, nor particularly expected, had left a little parcel for her from one of his sisters, and gone away; and on opening this parcel, she had actually found, besides the two songs which she had lent Elizabeth to copy, a letter to herself; and this letter was from him, from Mr. Martin, and contained a direct proposal of marriage.