Austen Said:

Patterns of Diction in Jane Austen's Major Novels

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Sir Thomas felt himself more than licensed to ask him
to stay dinner;
it was really a necessary compliment. He staid of course, and Edmund had then ample opportunity for observing how he sped with Fanny, and what degree of immediate encouragement for him might be extracted from her manners; and it was so little, so very, very little —every chance, every possibility of it, resting upon her embarrassment only; if there was not hope in her confusion, there was hope in nothing else —that he was almost ready to wonder at his friend's perseverance.
Fanny was worth it all;
he held her to be
worth every effort of patience, every exertion of mind, but he did not think he could have gone on himself with any woman breathing, without something more to warm his courage than his eyes could discern in hers.
He was very willing to hope that Crawford saw clearer, and this was the most comfortable conclusion for his friend that he could come to from all that he observed to pass before, and at, and after dinner.
In the evening a few circumstances occurred which he thought more promising. When he and Crawford walked into the drawing-room, his mother and Fanny were sitting as intently and silently at work as if there were nothing else to care for. Edmund could not help noticing their apparently deep tranquillity.
"We have not been so silent all the time,"
replied his mother.
"Fanny has been reading to me, and only put the book down upon hearing you coming."
And sure enough there was a book on the table which had the air of being very recently closed: a volume of Shakespeare.
"She often reads to me out of those books; and she was in the middle of a very fine speech of that man's— what's his name, Fanny?— when we heard your footsteps."
Crawford took the volume.
"Let me have the pleasure of finishing that speech to your ladyship,"
said he.
"I shall find it immediately."
And by carefully giving way to the inclination of the leaves, he did find it, or within a page or two, quite near enough to satisfy
Lady Bertram, who assured him,
as soon as he mentioned the name of Cardinal Wolsey,
that
he had got the very speech.
Not a look or an offer of help had Fanny given; not a syllable for or against. All her attention was for her work. She seemed determined to be interested by nothing else. But taste was too strong in her. She could not abstract her mind five minutes: she was forced to listen; his reading was capital, and her pleasure in good reading extreme. To good reading, however, she had been long used: her uncle read well, her cousins all, Edmund very well, but in Mr. Crawford's reading there was a variety of excellence beyond what she had ever met with. The King, the Queen, Buckingham, Wolsey, Cromwell, all were given in turn; for with the happiest knack, the happiest power of jumping and guessing, he could always alight at will on the best scene, or the best speeches of each; and whether it were dignity, or pride, or tenderness, or remorse, or whatever were to be expressed, he could do it with equal beauty. It was truly dramatic. His acting had first taught Fanny what pleasure a play might give, and his reading brought all his acting before her again; nay, perhaps with greater enjoyment, for it came unexpectedly, and with no such drawback as she had been used to suffer in seeing him on the stage with Miss Bertram.
Edmund watched the progress of her attention, and was amused and gratified by seeing how she gradually slackened in the needlework, which at the beginning seemed to occupy her totally: how it fell from her hand while she sat motionless over it, and at last, how the eyes which had appeared so studiously to avoid him throughout the day were turned and fixed on Crawford— fixed on him for minutes, fixed on him, in short, till the attraction drew Crawford's upon her, and the book was closed, and the charm was broken. Then she was shrinking again into herself, and blushing and working as hard as ever; but it had been enough to give Edmund encouragement for his friend, and as he cordially thanked him, he hoped to be expressing Fanny's secret feelings too.
"That play must be a favourite with you,"
said he;
"you read as if you knew it well."
"It will be a favourite, I believe, from this hour,"
replied Crawford;
"but I do not think I have had a volume of Shakespeare in my hand before since I was fifteen. I once saw Henry the Eighth acted, or I have heard of it from somebody who did, I am not certain which. But Shakespeare one gets acquainted with without knowing how. It is a part of an Englishman's constitution. His thoughts and beauties are so spread abroad that one touches them everywhere; one is intimate with him by instinct. No man of any brain can open at a good part of one of his plays without falling into the flow of his meaning immediately."
"No doubt one is familiar with Shakespeare in a degree,"
said Edmund,
"from one's earliest years. His celebrated passages are quoted by everybody; they are in half the books we open, and we all talk Shakespeare, use his similes, and describe with his descriptions; but this is totally distinct from giving his sense as you gave it. To know him in bits and scraps is common enough; to know him pretty thoroughly is, perhaps, not uncommon; but to read him well aloud is no everyday talent."
"Sir, you do me honour,"
was Crawford's answer, with a bow of mock gravity.
Both gentlemen had a glance at Fanny, to see if a word of accordant praise could be extorted from her; yet both feeling that it could not be. Her praise had been given in her attention; that must content them.
Lady Bertram's admiration was expressed, and strongly too.
"It was really like being at a play,"
said she.
"I wish Sir Thomas had been here."
Crawford was excessively pleased.
If Lady Bertram, with all her incompetency and languor, could feel this, the inference of what her niece, alive and enlightened as she was, must feel, was elevating.
"You have a great turn for acting, I am sure, Mr. Crawford,"
said her ladyship soon afterwards;
"and I will tell you what, I think you will have a theatre, some time or other, at your house in Norfolk. I mean when you are settled there. I do indeed. I think you will fit up a theatre at your house in Norfolk."
"Do you, ma'am?"
cried he, with quickness.
"No, no, that will never be. Your ladyship is quite mistaken. No theatre at Everingham! Oh no!"
And he looked at Fanny with an expressive smile, which evidently meant,
"That lady will never allow a theatre at Everingham."