Austen Said:

Patterns of Diction in Jane Austen's Major Novels

Search

Your search returned 8996 results



Clear all filters

novel

sex

character_type

marriage status

class status

age

occupation

mode of speech

speaker name

“Psha, nonsense!”
“Why do you put such things into my head? If I could believe it — my spirit, you know, is pretty independent.”
“I wish your heart were independent. That would be enough for me.”
“My heart, indeed! What can you have to do with hearts? You men have none of you any hearts.”
“If we have not hearts, we have eyes; and they give us torment enough.”
“Do they? I am sorry for it; I am sorry they find anything so disagreeable in me. I will look another way. I hope this pleases you”
“I hope your eyes are not tormented now.”
“Never more so; for the edge of a blooming cheek is still in view — at once too much and too little.”
she should join Mrs. Allen,
their walking.
She was so amazingly tired, and it was so odious to parade about the pump-room; and if she moved from her seat she should miss her sisters; she was expecting her sisters every moment; so that her dearest Catherine must excuse her, and must sit quietly down again.
Captain Tilney was falling in love with Isabella, and Isabella unconsciously encouraging him; unconsciously it must be, for Isabella’s attachment to James was as certain and well acknowledged as her engagement. To doubt her truth or good intentions was impossible; and yet, during the whole of their conversation her manner had been odd.
Isabella had talked more like her usual self, and not so much about money, and had not looked so well pleased at the sight of Captain Tilney. How strange that she should not perceive his admiration!
give her a hint of it,
put her on her guard, and prevent all the pain which her too lively behaviour might otherwise create both for him and her brother.
That he should think it worth his while to fancy himself in love with her
Isabella talked of his attentions; she had never been sensible of any; but Isabella had said many things which she hoped had been spoken in haste, and would never be said again;
Isabella could not be aware of the pain she was inflicting;
He might be jealous of her brother as a rival, but if more had seemed implied, the fault must have been in her misapprehension.
his brother’s evident partiality for Miss Thorpe,
him to make known her prior engagement.
“My brother does know it,”
“Does he? Then why does he stay here?”
“Why do not you persuade him to go away? The longer he stays, the worse it will be for him at last. Pray advise him for his own sake, and for everybody’s sake, to leave Bath directly. Absence will in time make him comfortable again; but he can have no hope here, and it is only staying to be miserable.”
“I am sure my brother would not wish to do that.”
“Then you will persuade him to go away?”
“Persuasion is not at command; but pardon me, if I cannot even endeavour to persuade him. I have myself told him that Miss Thorpe is engaged. He knows what he is about, and must be his own master.”
“No, he does not know what he is about,”
“he does not know the pain he is giving my brother. Not that James has ever told me so, but I am sure he is very uncomfortable.”
“And are you sure it is my brother’s doing?”
“Yes, very sure.”
“Is it my brother’s attentions to Miss Thorpe, or Miss Thorpe’s admission of them, that gives the pain?”
“Is not it the same thing?”
“I think Mr. Morland would acknowledge a difference. No man is offended by another man’s admiration of the woman he loves; it is the woman only who can make it a torment.”
“Isabella is wrong. But I am sure she cannot mean to torment, for she is very much attached to my brother. She has been in love with him ever since they first met, and while my father’s consent was uncertain, she fretted herself almost into a fever. You know she must be attached to him.”
“I understand: she is in love with James, and flirts with Frederick.”
“Oh! no, not flirts. A woman in love with one man cannot flirt with another.”
“It is probable that she will neither love so well, nor flirt so well, as she might do either singly. The gentlemen must each give up a little.”
“Then you do not believe Isabella so very much attached to my brother?”
“I can have no opinion on that subject.”
“But what can your brother mean? If he knows her engagement, what can he mean by his behaviour?”
“You are a very close questioner.”
“Am I? I only ask what I want to be told.”
“But do you only ask what I can be expected to tell?”
“Yes, I think so; for you must know your brother’s heart.”
“My brother’s heart, as you term it, on the present occasion, I assure you I can only guess at.”
Well?”
“Well! Nay, if it is to be guesswork, let us all guess for ourselves. To be guided by second-hand conjecture is pitiful. The premises are before you. My brother is a lively and perhaps sometimes a thoughtless young man; he has had about a week’s acquaintance with your friend, and he has known her engagement almost as long as he has known her.”
“Well,”
“you may be able to guess at your brother’s intentions from all this; but I am sure I cannot. But is not your father uncomfortable about it? Does not he want Captain Tilney to go away? Sure, if your father were to speak to him, he would go.”

Created by the Center for Digital Research in the Humanities.