Austen Said:

"No, as to acting myself,"

"that I absolutely protest against."

"I have no hope there, Fanny. If they persist in the scheme, they will find something. I shall speak to my sisters and try to dissuade them, and that is all I can do."

"I dare say she would, but she has no influence with either Tom or my sisters that could be of any use; and if I cannot convince them myself, I shall let things take their course, without attempting it through her. Family squabbling is the greatest evil of all, and we had better do anything than be altogether by the ears."

"No want of hands in our theatre, Miss Bertram. No want of understrappers: my sister desires her love, and hopes to be admitted into the company, and will be happy to take the part of any old duenna or tame confidante, that you may not like to do yourselves."

"This is not behaving well by the absent,"

"Here are not women enough. Amelia and Agatha may do for Maria and me, but here is nothing for your sister, Mr. Crawford."

"I must entreat Miss Julia Bertram,"

"not to engage in the part of Agatha, or it will be the ruin of all my solemnity. You must not, indeed you must not"

"I could not stand your countenance dressed up in woe and paleness. The many laughs we have had together would infallibly come across me, and Frederick and his knapsack would be obliged to run away."

"With all your partiality for Cottager's wife,"

"it will be impossible to make anything of it fit for your sister, and we must not suffer her good-nature to be imposed on. We must not allow her to accept the part. She must not be left to her own complaisance. Her talents will be wanted in Amelia. Amelia is a character more difficult to be well represented than even Agatha. I consider Amelia is the most difficult character in the whole piece. It requires great powers, great nicety, to give her playfulness and simplicity without extravagance. I have seen good actresses fail in the part. Simplicity, indeed, is beyond the reach of almost every actress by profession. It requires a delicacy of feeling which they have not. It requires a gentlewoman— a Julia Bertram. You will undertake it, I hope?"

"You must oblige us,"

"indeed you must. When you have studied the character, I am sure you will feel it suit you. Tragedy may be your choice, but it will certainly appear that comedy chuses you. You will be to visit me in prison with a basket of provisions; you will not refuse to visit me in prison? I think I see you coming in with your basket."

"You do not seem afraid of not keeping your countenance when I come in with a basket of provisions—though one might have supposed— —but it is only as Agatha that I was to be so overpowering!"

"Do not be afraid of my wanting the character,"

"I am not to be Agatha, and I am sure I will do nothing else; and as to Amelia, it is of all parts in the world the most disgusting to me. I quite detest her. An odious, little, pert, unnatural, impudent girl. I have always protested against comedy, and this is comedy in its worst form."

"Lovers' Vows!"

"But what do you do for women?"

"I should not have thought it the sort of play to be so easily filled up, with us,"

"I cannot, before Mr. Yates, speak what I feel as to this play, without reflecting on his friends at Ecclesford; but I must now, my dear Maria, tell you, that I think it exceedingly unfit for private representation, and that I hope you will give it up. I cannot but suppose you will when you have read it carefully over. Read only the first act aloud to either your mother or aunt, and see how you can approve it. It will not be necessary to send you to your father's judgment, I am convinced."

"I am sorry for it,"

"but in this matter it is you who are to lead. You must set the example. If others have blundered, it is your place to put them right, and shew them what true delicacy is. In all points of decorum your conduct must be law to the rest of the party."

"Do you imagine that I could have such an idea in my head? No; let your conduct be the only harangue. Say that, on examining the part, you feel yourself unequal to it; that you find it requiring more exertion and confidence than you can be supposed to have. Say this with firmness, and it will be quite enough. All who can distinguish will understand your motive. The play will be given up, and your delicacy honoured as it ought."

"I am convinced, madam,"

"that Sir Thomas would not like it."

"What!"

"if she knew your reasons!"

"My advice,"

"is that you change the play."

"That circumstance would by no means tempt me,"

"for I should be sorry to make the character ridiculous by bad acting. It must be very difficult to keep Anhalt from appearing a formal, solemn lecturer; and the man who chuses the profession itself is, perhaps, one of the last who would wish to represent it on the stage."

"Do not urge her, madam,"

"It is not fair to urge her in this manner. You see she does not like to act. Let her chuse for herself, as well as the rest of us. Her judgment may be quite as safely trusted. Do not urge her any more."

"the Mansfield theatricals would enliven the whole neighbourhood exceedingly,"

"Can I speak with you, Fanny, for a few minutes?"

"I want to consult. I want your opinion."

"Yes, your advice and opinion. I do not know what to do. This acting scheme gets worse and worse, you see. They have chosen almost as bad a play as they could, and now, to complete the business, are going to ask the help of a young man very slightly known to any of us. This is the end of all the privacy and propriety which was talked about at first. I know no harm of Charles Maddox; but the excessive intimacy which must spring from his being admitted among us in this manner is highly objectionable, the more than intimacy— the familiarity. I cannot think of it with any patience; and it does appear to me an evil of such magnitude as must, if possible, be prevented. Do not you see it in the same light?"

"There is but one thing to be done, Fanny. I must take Anhalt myself. I am well aware that nothing else will quiet Tom."

"It is not at all what I like,"

"No man can like being driven into the appearance of such inconsistency. After being known to oppose the scheme from the beginning, there is absurdity in the face of my joining them now, when they are exceeding their first plan in every respect; but I can think of no other alternative. Can you, Fanny?"

"But what? I see your judgment is not with me. Think it a little over. Perhaps you are not so much aware as I am of the mischief that may, of the unpleasantness that must arise from a young man's being received in this manner: domesticated among us; authorised to come at all hours, and placed suddenly on a footing which must do away all restraints. To think only of the licence which every rehearsal must tend to create. It is all very bad! Put yourself in Miss Crawford's place, Fanny. Consider what it would be to act Amelia with a stranger. She has a right to be felt for, because she evidently feels for herself. I heard enough of what she said to you last night to understand her unwillingness to be acting with a stranger; and as she probably engaged in the part with different expectations— perhaps without considering the subject enough to know what was likely to be— it would be ungenerous, it would be really wrong to expose her to it. Her feelings ought to be respected. Does it not strike you so, Fanny? You hesitate."

"They will not have much cause of triumph when they see how infamously I act. But, however, triumph there certainly will be, and I must brave it. But if I can be the means of restraining the publicity of the business, of limiting the exhibition, of concentrating our folly, I shall be well repaid. As I am now, I have no influence, I can do nothing: I have offended them, and they will not hear me; but when I have put them in good-humour by this concession, I am not without hopes of persuading them to confine the representation within a much smaller circle than they are now in the high road for. This will be a material gain. My object is to confine it to Mrs. Rushworth and the Grants. Will not this be worth gaining?"

"But still it has not your approbation. Can you mention any other measure by which I have a chance of doing equal good?"

"Give me your approbation, then, Fanny. I am not comfortable without it."

"If you are against me, I ought to distrust myself, and yet —But it is absolutely impossible to let Tom go on in this way, riding about the country in quest of anybody who can be persuaded to act— no matter whom: the look of a gentleman is to be enough. I thought you would have entered more into Miss Crawford's feelings."

"She never appeared more amiable than in her behaviour to you last night. It gave her a very strong claim on my goodwill."

"I shall walk down immediately after breakfast,"

"and am sure of giving pleasure there. And now, dear Fanny, I will not interrupt you any longer. You want to be reading. But I could not be easy till I had spoken to you, and come to a decision. Sleeping or waking, my head has been full of this matter all night. It is an evil, but I am certainly making it less than it might be. If Tom is up, I shall go to him directly and get it over, and when we meet at breakfast we shall be all in high good-humour at the prospect of acting the fool together with such unanimity. You, in the meanwhile, will be taking a trip into China, I suppose. How does Lord Macartney go on?"—

"And here are Crabbe's Tales, and the Idler, at hand to relieve you, if you tire of your great book. I admire your little establishment exceedingly; and as soon as I am gone, you will empty your head of all this nonsense of acting, and sit comfortably down to your table. But do not stay here to be cold."