Austen Said:

Patterns of Diction in Jane Austen's Major Novels

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"His house shall not be hurt. I have quite as great an interest in being careful of his house as you can have; and as to such alterations as I was suggesting just now, such as moving a bookcase, or unlocking a door, or even as using the billiard-room for the space of a week without playing at billiards in it, you might just as well suppose he would object to our sitting more in this room, and less in the breakfast-room, than we did before he went away, or to my sister's pianoforte being moved from one side of the room to the other. Absolute nonsense!"
"Yes, the expense of such an undertaking would be prodigious! Perhaps it might cost a whole twenty pounds. Something of a theatre we must have undoubtedly, but it will be on the simplest plan: a green curtain and a little carpenter's work, and that's all; and as the carpenter's work may be all done at home by Christopher Jackson himself, it will be too absurd to talk of expense; and as long as Jackson is employed, everything will be right with Sir Thomas. Don't imagine that nobody in this house can see or judge but yourself. Don't act yourself, if you do not like it, but don't expect to govern everybody else."
"Oh no, that will never do! Let us have no ranting tragedies. Too many characters.
"This will never do,"
"We are wasting time most abominably. Something must be fixed on. No matter what, so that something is chosen. We must not be so nice. A few characters too many must not frighten us. We must double them. We must descend a little. If a part is insignificant, the greater our credit in making anything of it. From this moment I make no difficulties. I take any part you chuse to give me, so as it be comic. Let it but be comic, I condition for nothing more."
"Lovers' Vows! And why should not Lovers' Vows do for us as well as for the Ravenshaws? How came it never to be thought of before? It strikes me as if it would do exactly. What say you all? Here are two capital tragic parts for Yates and Crawford, and here is the rhyming Butler for me, if nobody else wants it; a trifling part, but the sort of thing I should not dislike, and, as I said before, I am determined to take anything and do my best. And as for the rest, they may be filled up by anybody. It is only Count Cassel and Anhalt."
"This is not behaving well by the absent,"
"Here are not women enough. Amelia and Agatha may do for Maria and me, but here is nothing for your sister, Mr. Crawford."
"It falls as naturally, as necessarily to her,"
"as Agatha does to one or other of my sisters. It can be no sacrifice on their side, for it is highly comic."
"Oh yes! Maria must be Agatha. Maria will be the best Agatha. Though Julia fancies she prefers tragedy, I would not trust her in it. There is nothing of tragedy about her. She has not the look of it. Her features are not tragic features, and she walks too quick, and speaks too quick, and would not keep her countenance. She had better do the old countrywoman: the Cottager's wife; you had, indeed, Julia. Cottager's wife is a very pretty part, I assure you. The old lady relieves the high-flown benevolence of her husband with a good deal of spirit. You shall be Cottager's wife."
"Cottager's wife!"
"What are you talking of? The most trivial, paltry, insignificant part; the merest commonplace; not a tolerable speech in the whole. Your sister do that! It is an insult to propose it. At Ecclesford the governess was to have done it. We all agreed that it could not be offered to anybody else. A little more justice, Mr. Manager, if you please. You do not deserve the office, if you cannot appreciate the talents of your company a little better."
"Why, as to that,my good friend, till I and my company have really acted there must be some guesswork; but I mean no disparagement to Julia. We cannot have two Agathas, and we must have one Cottager's wife; and I am sure I set her the example of moderation myself in being satisfied with the old Butler. If the part is trifling she will have more credit in making something of it; and if she is so desperately bent against everything humorous, let her take Cottager's speeches instead of Cottager's wife's, and so change the parts all through; he is solemn and pathetic enough, I am sure. It could make no difference in the play, and as for Cottager himself, when he has got his wife's speeches, I would undertake him with all my heart."
"No, no, Julia must not be Amelia. It is not at all the part for her. She would not like it. She would not do well. She is too tall and robust. Amelia should be a small, light, girlish, skipping figure. It is fit for Miss Crawford, and Miss Crawford only. She looks the part, and I am persuaded will do it admirably."
"You do not seem afraid of not keeping your countenance when I come in with a basket of provisions—though one might have supposed— —but it is only as Agatha that I was to be so overpowering!"
"Miss Crawford must be Amelia. She will be an excellent Amelia."
"Do not be afraid of my wanting the character,"
"I am not to be Agatha, and I am sure I will do nothing else; and as to Amelia, it is of all parts in the world the most disgusting to me. I quite detest her. An odious, little, pert, unnatural, impudent girl. I have always protested against comedy, and this is comedy in its worst form."
"Yes,"
"After all our debatings and difficulties, we find there is nothing that will suit us altogether so well, nothing so unexceptionable, as Lovers' Vows. The wonder is that it should not have been thought of before. My stupidity was abominable, for here we have all the advantage of what I saw at Ecclesford; and it is so useful to have anything of a model! We have cast almost every part."
"I must really congratulate your ladyship,"
"on the play being chosen; for though you have borne it with exemplary patience, I am sure you must be sick of all our noise and difficulties. The actors may be glad, but the bystanders must be infinitely more thankful for a decision; and I do sincerely give you joy, madam, as well as Mrs. Norris, and everybody else who is in the same predicament,"
"My good friends, you are most composedly at work upon these cottages and alehouses, inside and out; but pray let me know my fate in the meanwhile. Who is to be Anhalt? What gentleman among you am I to have the pleasure of making love to?"
"You chose very wisely, I am sure,"
"Anhalt is a heavy part."
"I am not at all surprised,"
"at this want of an Anhalt. Amelia deserves no better. Such a forward young lady may well frighten the men."
"I should be but too happy in taking the part, if it were possible,"
"but, unluckily, the Butler and Anhalt are in together. I will not entirely give it up, however; I will try what can be done— I will look it over again."
"Your brother should take the part,"
"Do not you think he would?"
"I shall not ask him,"
"They do not want me at all,"
"I only puzzle them, and oblige them to make civil speeches. Mr. Edmund Bertram, as you do not act yourself, you will be a disinterested adviser; and, therefore, I apply to you. What shall we do for an Anhalt? Is it practicable for any of the others to double it? What is your advice?"
"I should have no objection,"
"for though I should not particularly dislike the part of Amelia if well supported, that is, if everything went well, I shall be sorry to be an inconvenience; but as they do not chuse to hear your advice at that table"
"it certainly will not be taken."
"If any part could tempt you to act, I suppose it would be Anhalt,"
"for he is a clergyman, you know."
"Fanny,"
"we want your services."
"Oh! we do not want to disturb you from your seat. We do not want your present services. We shall only want you in our play. You must be Cottager's wife."
"Indeed, but you must, for we cannot excuse you. It need not frighten you: it is a nothing of a part, a mere nothing, not above half a dozen speeches altogether, and it will not much signify if nobody hears a word you say; so you may be as creep-mouse as you like, but we must have you to look at."
"Yes, yes, you can act well enough for us. Learn your part, and we will teach you all the rest. You have only two scenes, and as I shall be Cottager, I'll put you in and push you about, and you will do it very well, I'll answer for it."
"Phoo! Phoo! Do not be so shamefaced. You'll do it very well. Every allowance will be made for you. We do not expect perfection. You must get a brown gown, and a white apron, and a mob cap, and we must make you a few wrinkles, and a little of the crowsfoot at the corner of your eyes, and you will be a very proper, little old woman."
"I do not like my situation: this place is too hot for me,"
"Never mind, my dear Miss Price, this is a cross evening: everybody is cross and teasing, but do not let us mind them";
"But there will not be the smallest difficulty in filling it,"
"We have but to speak the word; we may pick and chuse. I could name, at this moment, at least six young men within six miles of us, who are wild to be admitted into our company, and there are one or two that would not disgrace us: I should not be afraid to trust either of the Olivers or Charles Maddox. Tom Oliver is a very clever fellow, and Charles Maddox is as gentlemanlike a man as you will see anywhere, so I will take my horse early to-morrow morning and ride over to Stoke, and settle with one of them."