Austen Said:

Patterns of Diction in Jane Austen's Major Novels

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They had gone, in short —and very great had been the evident distress and confusion of the lady. She had hardly been able to speak a word, and every look and action had shewn how deeply she was suffering from consciousness. The quiet, heart-felt satisfaction of the old lady, and the rapturous delight of her daughter—who proved even too joyous to talk as usual, had been a gratifying, yet almost an affecting, scene. They were both so truly respectable in their happiness, so disinterested in every sensation; thought so much of Jane; so much of every body, and so little of themselves, that every kindly feeling was at work for them. Miss Fairfax's recent illness had offered a fair plea for Mrs. Weston to invite her to an airing; she had drawn back and declined at first, but, on being pressed had yielded; and, in the course of their drive, Mrs. Weston had, by gentle encouragement, overcome so much of her embarrassment, as to bring her to converse on the important subject. Apologies for her seemingly ungracious silence in their first reception, and the warmest expressions of the gratitude she was always feeling towards herself and Mr. Weston, must necessarily open the cause; but when these effusions were put by, they had talked a good deal of the present and of the future state of the engagement. Mrs. Weston was convinced that such conversation must be the greatest relief to her companion, pent up within her own mind as every thing had so long been, and was very much pleased with all that she had said on the subject.
She believed she had been foolish, but it had alarmed her, and she had been within half a minute of sending for Mr. Perry. Perhaps she ought to be ashamed, but Mr. Weston had been almost as uneasy as herself.—In ten minutes, however, the child had been perfectly well again.