Austen Said:

Patterns of Diction in Jane Austen's Major Novels

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“Then we are on very unequal terms, for I understand you perfectly well.”
“Bravo! An excellent satire on modern language.”
“Shall I indeed? Do you really desire it? But you are not aware of the consequences; it will involve you in a very cruel embarrassment, and certainly bring on a disagreement between us.
“Well, then, I only meant that your attributing my brother’s wish of dancing with Miss Thorpe to good nature alone convinced me of your being superior in good nature yourself to all the rest of the world.”
“And did Isabella never change her mind before?”
“I cannot take surprise to myself on that head. You bid me be surprised on your friend’s account, and therefore I am; but as for my brother, his conduct in the business, I must own, has been no more than I believed him perfectly equal to. The fairness of your friend was an open attraction; her firmness, you know, could only be understood by yourself.”
“It is as much as should be said of anyone. To be always firm must be to be often obstinate. When properly to relax is the trial of judgment; and, without reference to my brother, I really think Miss Thorpe has by no means chosen ill in fixing on the present hour.”
“My brother does know it,”
“I am sure my brother would not wish to do that.”
“Persuasion is not at command; but pardon me, if I cannot even endeavour to persuade him. I have myself told him that Miss Thorpe is engaged. He knows what he is about, and must be his own master.”
“And are you sure it is my brother’s doing?”
“Is it my brother’s attentions to Miss Thorpe, or Miss Thorpe’s admission of them, that gives the pain?”
“I think Mr. Morland would acknowledge a difference. No man is offended by another man’s admiration of the woman he loves; it is the woman only who can make it a torment.”
“I understand: she is in love with James, and flirts with Frederick.”
“It is probable that she will neither love so well, nor flirt so well, as she might do either singly. The gentlemen must each give up a little.”
“I can have no opinion on that subject.”
“You are a very close questioner.”
“But do you only ask what I can be expected to tell?”
“My brother’s heart, as you term it, on the present occasion, I assure you I can only guess at.”
“Well! Nay, if it is to be guesswork, let us all guess for ourselves. To be guided by second-hand conjecture is pitiful. The premises are before you. My brother is a lively and perhaps sometimes a thoughtless young man; he has had about a week’s acquaintance with your friend, and he has known her engagement almost as long as he has known her.”
“My dear Miss Morland,”
“in this amiable solicitude for your brother’s comfort, may you not be a little mistaken? Are you not carried a little too far? Would he thank you, either on his own account or Miss Thorpe’s, for supposing that her affection, or at least her good behaviour, is only to be secured by her seeing nothing of Captain Tilney? Is he safe only in solitude? Or is her heart constant to him only when unsolicited by anyone else? He cannot think this — and you may be sure that he would not have you think it. I will not say, ‘Do not be uneasy,’ because I know that you are so, at this moment; but be as little uneasy as you can. You have no doubt of the mutual attachment of your brother and your friend; depend upon it, therefore, that real jealousy never can exist between them; depend upon it that no disagreement between them can be of any duration. Their hearts are open to each other, as neither heart can be to you; they know exactly what is required and what can be borne; and you may be certain that one will never tease the other beyond what is known to be pleasant.”
“Though Frederick does not leave Bath with us, he will probably remain but a very short time, perhaps only a few days behind us. His leave of absence will soon expire, and he must return to his regiment. And what will then be their acquaintance? The mess-room will drink Isabella Thorpe for a fortnight, and she will laugh with your brother over poor Tilney’s passion for a month.”
“Northanger is not more than half my home; I have an establishment at my own house in Woodston, which is nearly twenty miles from my father’s, and some of my time is necessarily spent there.”
“How sorry you must be for that!”
“I am always sorry to leave Eleanor.”
“You have formed a very favourable idea of the abbey.”
“And are you prepared to encounter all the horrors that a building such as ‘what one reads about’ may produce? Have you a stout heart? Nerves fit for sliding panels and tapestry?”
“No, certainly. We shall not have to explore our way into a hall dimly lighted by the expiring embers of a wood fire — nor be obliged to spread our beds on the floor of a room without windows, doors, or furniture. But you must be aware that when a young lady is (by whatever means) introduced into a dwelling of this kind, she is always lodged apart from the rest of the family. While they snugly repair to their own end of the house, she is formally conducted by Dorothy, the ancient housekeeper, up a different staircase, and along many gloomy passages, into an apartment never used since some cousin or kin died in it about twenty years before. Can you stand such a ceremony as this? Will not your mind misgive you when you find yourself in this gloomy chamber — too lofty and extensive for you, with only the feeble rays of a single lamp to take in its size — its walls hung with tapestry exhibiting figures as large as life, and the bed, of dark green stuff or purple velvet, presenting even a funereal appearance? Will not your heart sink within you?”
“How fearfully will you examine the furniture of your apartment! And what will you discern? Not tables, toilettes, wardrobes, or drawers, but on one side perhaps the remains of a broken lute, on the other a ponderous chest which no efforts can open, and over the fireplace the portrait of some handsome warrior, whose features will so incomprehensibly strike you, that you will not be able to withdraw your eyes from it. Dorothy, meanwhile, no less struck by your appearance, gazes on you in great agitation, and drops a few unintelligible hints. To raise your spirits, moreover, she gives you reason to suppose that the part of the abbey you inhabit is undoubtedly haunted, and informs you that you will not have a single domestic within call. With this parting cordial she curtsies off — you listen to the sound of her receding footsteps as long as the last echo can reach you — and when, with fainting spirits, you attempt to fasten your door, you discover, with increased alarm, that it has no lock.”
“Nothing further to alarm perhaps may occur the first night. After surmounting your unconquerable horror of the bed, you will retire to rest, and get a few hours’ unquiet slumber. But on the second, or at farthest the third night after your arrival, you will probably have a violent storm. Peals of thunder so loud as to seem to shake the edifice to its foundation will roll round the neighbouring mountains — and during the frightful gusts of wind which accompany it, you will probably think you discern (for your lamp is not extinguished) one part of the hanging more violently agitated than the rest. Unable of course to repress your curiosity in so favourable a moment for indulging it, you will instantly arise, and throwing your dressing-gown around you, proceed to examine this mystery. After a very short search, you will discover a division in the tapestry so artfully constructed as to defy the minutest inspection, and on opening it, a door will immediately appear — which door, being only secured by massy bars and a padlock, you will, after a few efforts, succeed in opening — and, with your lamp in your hand, will pass through it into a small vaulted room.”
“What! Not when Dorothy has given you to understand that there is a secret subterraneous communication between your apartment and the chapel of St. Anthony, scarcely two miles off? Could you shrink from so simple an adventure? No, no, you will proceed into this small vaulted room, and through this into several others, without perceiving anything very remarkable in either. In one perhaps there may be a dagger, in another a few drops of blood, and in a third the remains of some instrument of torture; but there being nothing in all this out of the common way, and your lamp being nearly exhausted, you will return towards your own apartment. In repassing through the small vaulted room, however, your eyes will be attracted towards a large, old-fashioned cabinet of ebony and gold, which, though narrowly examining the furniture before, you had passed unnoticed. Impelled by an irresistible presentiment, you will eagerly advance to it, unlock its folding doors, and search into every drawer — but for some time without discovering anything of importance — perhaps nothing but a considerable hoard of diamonds. At last, however, by touching a secret spring, an inner compartment will open — a roll of paper appears — you seize it — it contains many sheets of manuscript — you hasten with the precious treasure into your own chamber, but scarcely have you been able to decipher ‘Oh! Thou — whomsoever thou mayst be, into whose hands these memoirs of the wretched Matilda may fall’ — when your lamp suddenly expires in the socket, and leaves you in total darkness.”
“And how might you learn? By accident or argument?”
“But now you love a hyacinth. So much the better. You have gained a new source of enjoyment, and it is well to have as many holds upon happiness as possible. Besides, a taste for flowers is always desirable in your sex, as a means of getting you out of doors, and tempting you to more frequent exercise than you would otherwise take. And though the love of a hyacinth may be rather domestic, who can tell, the sentiment once raised, but you may in time come to love a rose?”
“At any rate, however, I am pleased that you have learnt to love a hyacinth. The mere habit of learning to love is the thing; and a teachableness of disposition in a young lady is a great blessing. Has my sister a pleasant mode of instruction?”
“How came I up that staircase!”
“Because it is my nearest way from the stable-yard to my own chamber; and why should I not come up it?”
“And may I not, in my turn,”
“ask how you came here? This passage is at least as extraordinary a road from the breakfast-parlour to your apartment, as that staircase can be from the stables to mine.”
“My mother’s room! Is there anything extraordinary to be seen there?”
“I did not expect to be able to return sooner, when I went away; but three hours ago I had the pleasure of finding nothing to detain me. You look pale. I am afraid I alarmed you by running so fast up those stairs. Perhaps you did not know — you were not aware of their leading from the offices in common use?”
“And that prevented you,”
“Have you looked into all the rooms in that passage?”
“It is only a quarter past four”
“and you are not now in Bath. No theatre, no rooms to prepare for. Half an hour at Northanger must be enough.”
“Have you had any letter from Bath since I saw you?”
“Promised so faithfully! A faithful promise! That puzzles me. I have heard of a faithful performance. But a faithful promise — the fidelity of promising! It is a power little worth knowing, however, since it can deceive and pain you. My mother’s room is very commodious, is it not? Large and cheerful-looking, and the dressing-closets so well disposed! It always strikes me as the most comfortable apartment in the house, and I rather wonder that Eleanor should not take it for her own. She sent you to look at it, I suppose?”
“It has been your own doing entirely?”
“As there is nothing in the room in itself to raise curiosity, this must have proceeded from a sentiment of respect for my mother’s character, as described by Eleanor, which does honour to her memory. The world, I believe, never saw a better woman. But it is not often that virtue can boast an interest such as this. The domestic, unpretending merits of a person never known do not often create that kind of fervent, venerating tenderness which would prompt a visit like yours. Eleanor, I suppose, has talked of her a great deal?”
“And from these circumstances,”