Austen Said:

Patterns of Diction in Jane Austen's Major Novels

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“I do not pretend to determine what your thoughts and designs in time past may have been. All that is best known to yourself. A little harmless flirtation or so will occur, and one is often drawn on to give more encouragement than one wishes to stand by. But you may be assured that I am the last person in the world to judge you severely. All those things should be allowed for in youth and high spirits. What one means one day, you know, one may not mean the next. Circumstances change, opinions alter.”
“But my opinion of your brother never did alter; it was always the same. You are describing what never happened.”
“My dearest Catherine,”
“I would not for all the world be the means of hurrying you into an engagement before you knew what you were about. I do not think anything would justify me in wishing you to sacrifice all your happiness merely to oblige my brother, because he is my brother, and who perhaps after all, you know, might be just as happy without you, for people seldom know what they would be at, young men especially, they are so amazingly changeable and inconstant. What I say is, why should a brother’s happiness be dearer to me than a friend’s? You know I carry my notions of friendship pretty high. But, above all things, my dear Catherine, do not be in a hurry. Take my word for it, that if you are in too great a hurry, you will certainly live to repent it.
Tilney says
there is nothing people are so often deceived in as the state of their own affections,
and I believe he is very right. Ah! Here he comes; never mind, he will not see us, I am sure.”
“What! Always to be watched, in person or by proxy!”
“Psha, nonsense!”
“Why do you put such things into my head? If I could believe it — my spirit, you know, is pretty independent.”
“I wish your heart were independent. That would be enough for me.”
“My heart, indeed! What can you have to do with hearts? You men have none of you any hearts.”
“If we have not hearts, we have eyes; and they give us torment enough.”
“Do they? I am sorry for it; I am sorry they find anything so disagreeable in me. I will look another way. I hope this pleases you”
“I hope your eyes are not tormented now.”
“Never more so; for the edge of a blooming cheek is still in view — at once too much and too little.”
she should join Mrs. Allen,
their walking.
She was so amazingly tired, and it was so odious to parade about the pump-room; and if she moved from her seat she should miss her sisters; she was expecting her sisters every moment; so that her dearest Catherine must excuse her, and must sit quietly down again.
Captain Tilney was falling in love with Isabella, and Isabella unconsciously encouraging him; unconsciously it must be, for Isabella’s attachment to James was as certain and well acknowledged as her engagement. To doubt her truth or good intentions was impossible; and yet, during the whole of their conversation her manner had been odd.
Isabella had talked more like her usual self, and not so much about money, and had not looked so well pleased at the sight of Captain Tilney. How strange that she should not perceive his admiration!
give her a hint of it,
put her on her guard, and prevent all the pain which her too lively behaviour might otherwise create both for him and her brother.
That he should think it worth his while to fancy himself in love with her
Isabella talked of his attentions; she had never been sensible of any; but Isabella had said many things which she hoped had been spoken in haste, and would never be said again;
Isabella could not be aware of the pain she was inflicting;
He might be jealous of her brother as a rival, but if more had seemed implied, the fault must have been in her misapprehension.
his brother’s evident partiality for Miss Thorpe,
him to make known her prior engagement.
“My brother does know it,”
“Does he? Then why does he stay here?”
“Why do not you persuade him to go away? The longer he stays, the worse it will be for him at last. Pray advise him for his own sake, and for everybody’s sake, to leave Bath directly. Absence will in time make him comfortable again; but he can have no hope here, and it is only staying to be miserable.”
“I am sure my brother would not wish to do that.”
“Then you will persuade him to go away?”
“Persuasion is not at command; but pardon me, if I cannot even endeavour to persuade him. I have myself told him that Miss Thorpe is engaged. He knows what he is about, and must be his own master.”
“No, he does not know what he is about,”
“he does not know the pain he is giving my brother. Not that James has ever told me so, but I am sure he is very uncomfortable.”
“And are you sure it is my brother’s doing?”
“Yes, very sure.”
“Is it my brother’s attentions to Miss Thorpe, or Miss Thorpe’s admission of them, that gives the pain?”
“Is not it the same thing?”
“I think Mr. Morland would acknowledge a difference. No man is offended by another man’s admiration of the woman he loves; it is the woman only who can make it a torment.”
“Isabella is wrong. But I am sure she cannot mean to torment, for she is very much attached to my brother. She has been in love with him ever since they first met, and while my father’s consent was uncertain, she fretted herself almost into a fever. You know she must be attached to him.”
“I understand: she is in love with James, and flirts with Frederick.”
“Oh! no, not flirts. A woman in love with one man cannot flirt with another.”
“It is probable that she will neither love so well, nor flirt so well, as she might do either singly. The gentlemen must each give up a little.”
“Then you do not believe Isabella so very much attached to my brother?”
“I can have no opinion on that subject.”
“But what can your brother mean? If he knows her engagement, what can he mean by his behaviour?”
“You are a very close questioner.”