Austen Said:

Patterns of Diction in Jane Austen's Major Novels

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"Phoo! phoo! This is only because there were no tall women to compare her with, and because she has got a new gown, and you never saw her so well dressed before. She is just what she was in October, believe me. The truth is, that she was the only girl in company for you to notice, and you must have a somebody. I have always thought her pretty —not strikingly pretty—but 'pretty enough,' as people say; a sort of beauty that grows on one. Her eyes should be darker, but she has a sweet smile; but as for this wonderful degree of improvement, I am sure it may all be resolved into a better style of dress, and your having nobody else to look at; and therefore, if you do set about a flirtation with her, you never will persuade me that it is in compliment to her beauty, or that it proceeds from anything but your own idleness and folly."
"You must think of somebody else too, when you wear that necklace,"
"suppose you were to have one of the Miss Owens settled at Thornton Lacey; how should you like it? Stranger things have happened. I dare say they are trying for it. And they are quite in the light, for it would be a very pretty establishment for them. I do not at all wonder or blame them. It is everybody's duty to do as well for themselves as they can. Sir Thomas Bertram's son is somebody; and now he is in their own line. Their father is a clergyman, and their brother is a clergyman, and they are all clergymen together. He is their lawful property; he fairly belongs to them. You don't speak, Fanny; Miss Price, you don't speak. But honestly now, do not you rather expect it than otherwise?"