Austen Said:

"that she should have been in such hands!"

"I like to hear your enthusiasm, Fanny. It is a lovely night, and they are much to be pitied who have not been taught to feel, in some degree, as you do; who have not, at least, been given a taste for Nature in early life. They lose a great deal."

"I had a very apt scholar. There's Arcturus looking very bright."

"We must go out on the lawn for that. Should you be afraid?"

"Yes; I do not know how it has happened."

"We will stay till this is finished, Fanny,"

"It is to his credit,"

"and I dare say it gives his sister pleasure. She does not like his unsettled habits."

"Yes, his manners to women are such as must please. Mrs. Grant, I believe, suspects him of a preference for Julia; I have never seen much symptom of it, but I wish it may be so. He has no faults but what a serious attachment would remove."

"Which is, perhaps, more in favour of his liking Julia best, than you, Fanny, may be aware; for I believe it often happens that a man, before he has quite made up his own mind, will distinguish the sister or intimate friend of the woman he is really thinking of more than the woman herself. Crawford has too much sense to stay here if he found himself in any danger from Maria; and I am not at all afraid for her, after such a proof as she has given that her feelings are not strong."

"I really believe,"

"I could be fool enough at this moment to undertake any character that ever was written, from Shylock or Richard III down to the singing hero of a farce in his scarlet coat and cocked hat. I feel as if I could be anything or everything; as if I could rant and storm, or sigh or cut capers, in any tragedy or comedy in the English language. Let us be doing something. Be it only half a play, an act, a scene; what should prevent us? Not these countenances, I am sure,"

"and for a theatre, what signifies a theatre? We shall be only amusing ourselves. Any room in this house might suffice."

"I believe we must be satisfied with less,"

"There would not be time, and other difficulties would arise. We must rather adopt Mr. Crawford's views, and make the performance, not the theatre, our object. Many parts of our best plays are independent of scenery."

"Nay,"

"Let us do nothing by halves. If we are to act, let it be in a theatre completely fitted up with pit, boxes, and gallery, and let us have a play entire from beginning to end; so as it be a German play, no matter what, with a good tricking, shifting afterpiece, and a figure-dance, and a hornpipe, and a song between the acts. If we do not outdo Ecclesford, we do nothing."

"Now, Edmund, do not be disagreeable,"

"Nobody loves a play better than you do, or can have gone much farther to see one."

"True, to see real acting, good hardened real acting; but I would hardly walk from this room to the next to look at the raw efforts of those who have not been bred to the trade: a set of gentlemen and ladies, who have all the disadvantages of education and decorum to struggle through."

"You are not serious, Tom, in meaning to act?"

"I think it would be very wrong. In a general light, private theatricals are open to some objections, but as we are circumstanced, I must think it would be highly injudicious, and more than injudicious to attempt anything of the kind. It would shew great want of feeling on my father's account, absent as he is, and in some degree of constant danger; and it would be imprudent, I think, with regard to Maria, whose situation is a very delicate one, considering everything, extremely delicate."

"I cannot agree with you; I am convinced that my father would totally disapprove it."

"It was a very different thing. You must see the difference yourself. My father wished us, as schoolboys, to speak well, but he would never wish his grown-up daughters to be acting plays. His sense of decorum is strict."

"If you are resolved on acting,"

"I must hope it will be in a very small and quiet way; and I think a theatre ought not to be attempted. It would be taking liberties with my father's house in his absence which could not be justified."

"The innovation, if not wrong as an innovation, will be wrong as an expense."

"No, as to acting myself,"

"that I absolutely protest against."

"I have no hope there, Fanny. If they persist in the scheme, they will find something. I shall speak to my sisters and try to dissuade them, and that is all I can do."

"I dare say she would, but she has no influence with either Tom or my sisters that could be of any use; and if I cannot convince them myself, I shall let things take their course, without attempting it through her. Family squabbling is the greatest evil of all, and we had better do anything than be altogether by the ears."

"No want of hands in our theatre, Miss Bertram. No want of understrappers: my sister desires her love, and hopes to be admitted into the company, and will be happy to take the part of any old duenna or tame confidante, that you may not like to do yourselves."

"This is not behaving well by the absent,"

"Here are not women enough. Amelia and Agatha may do for Maria and me, but here is nothing for your sister, Mr. Crawford."

"I must entreat Miss Julia Bertram,"

"not to engage in the part of Agatha, or it will be the ruin of all my solemnity. You must not, indeed you must not"

"I could not stand your countenance dressed up in woe and paleness. The many laughs we have had together would infallibly come across me, and Frederick and his knapsack would be obliged to run away."

"With all your partiality for Cottager's wife,"

"it will be impossible to make anything of it fit for your sister, and we must not suffer her good-nature to be imposed on. We must not allow her to accept the part. She must not be left to her own complaisance. Her talents will be wanted in Amelia. Amelia is a character more difficult to be well represented than even Agatha. I consider Amelia is the most difficult character in the whole piece. It requires great powers, great nicety, to give her playfulness and simplicity without extravagance. I have seen good actresses fail in the part. Simplicity, indeed, is beyond the reach of almost every actress by profession. It requires a delicacy of feeling which they have not. It requires a gentlewoman— a Julia Bertram. You will undertake it, I hope?"

"You must oblige us,"

"indeed you must. When you have studied the character, I am sure you will feel it suit you. Tragedy may be your choice, but it will certainly appear that comedy chuses you. You will be to visit me in prison with a basket of provisions; you will not refuse to visit me in prison? I think I see you coming in with your basket."

"You do not seem afraid of not keeping your countenance when I come in with a basket of provisions—though one might have supposed— —but it is only as Agatha that I was to be so overpowering!"

"Do not be afraid of my wanting the character,"

"I am not to be Agatha, and I am sure I will do nothing else; and as to Amelia, it is of all parts in the world the most disgusting to me. I quite detest her. An odious, little, pert, unnatural, impudent girl. I have always protested against comedy, and this is comedy in its worst form."

"I am sure I would give up the part to Julia most willingly, but that though I shall probably do it very ill, I feel persuaded she would do it worse,"

"We have got a play,"

"It is to be Lovers' Vows; and I am to be Count Cassel, and am to come in first with a blue dress and a pink satin cloak, and afterwards am to have another fine fancy suit, by way of a shooting-dress. I do not know how I shall like it."

"Lovers' Vows!"

"But what do you do for women?"

"I take the part which Lady Ravenshaw was to have done, and"