Austen Said:

"I think it would be very wrong. In a general light, private theatricals are open to some objections, but as we are circumstanced, I must think it would be highly injudicious, and more than injudicious to attempt anything of the kind. It would shew great want of feeling on my father's account, absent as he is, and in some degree of constant danger; and it would be imprudent, I think, with regard to Maria, whose situation is a very delicate one, considering everything, extremely delicate."

"I cannot agree with you; I am convinced that my father would totally disapprove it."

"It was a very different thing. You must see the difference yourself. My father wished us, as schoolboys, to speak well, but he would never wish his grown-up daughters to be acting plays. His sense of decorum is strict."

"If you are resolved on acting,"

"I must hope it will be in a very small and quiet way; and I think a theatre ought not to be attempted. It would be taking liberties with my father's house in his absence which could not be justified."

"The innovation, if not wrong as an innovation, will be wrong as an expense."

"No, as to acting myself,"

"that I absolutely protest against."

"I have no hope there, Fanny. If they persist in the scheme, they will find something. I shall speak to my sisters and try to dissuade them, and that is all I can do."

"I dare say she would, but she has no influence with either Tom or my sisters that could be of any use; and if I cannot convince them myself, I shall let things take their course, without attempting it through her. Family squabbling is the greatest evil of all, and we had better do anything than be altogether by the ears."

"No want of hands in our theatre, Miss Bertram. No want of understrappers: my sister desires her love, and hopes to be admitted into the company, and will be happy to take the part of any old duenna or tame confidante, that you may not like to do yourselves."

"I must entreat Miss Julia Bertram,"

"not to engage in the part of Agatha, or it will be the ruin of all my solemnity. You must not, indeed you must not"

"I could not stand your countenance dressed up in woe and paleness. The many laughs we have had together would infallibly come across me, and Frederick and his knapsack would be obliged to run away."

"With all your partiality for Cottager's wife,"

"it will be impossible to make anything of it fit for your sister, and we must not suffer her good-nature to be imposed on. We must not allow her to accept the part. She must not be left to her own complaisance. Her talents will be wanted in Amelia. Amelia is a character more difficult to be well represented than even Agatha. I consider Amelia is the most difficult character in the whole piece. It requires great powers, great nicety, to give her playfulness and simplicity without extravagance. I have seen good actresses fail in the part. Simplicity, indeed, is beyond the reach of almost every actress by profession. It requires a delicacy of feeling which they have not. It requires a gentlewoman— a Julia Bertram. You will undertake it, I hope?"

"You must oblige us,"

"indeed you must. When you have studied the character, I am sure you will feel it suit you. Tragedy may be your choice, but it will certainly appear that comedy chuses you. You will be to visit me in prison with a basket of provisions; you will not refuse to visit me in prison? I think I see you coming in with your basket."

"We have got a play,"

"It is to be Lovers' Vows; and I am to be Count Cassel, and am to come in first with a blue dress and a pink satin cloak, and afterwards am to have another fine fancy suit, by way of a shooting-dress. I do not know how I shall like it."

"Lovers' Vows!"

"But what do you do for women?"

"I should not have thought it the sort of play to be so easily filled up, with us,"

"I come in three times, and have two-and-forty speeches. That's something, is not it? But I do not much like the idea of being so fine. I shall hardly know myself in a blue dress and a pink satin cloak."

"I cannot, before Mr. Yates, speak what I feel as to this play, without reflecting on his friends at Ecclesford; but I must now, my dear Maria, tell you, that I think it exceedingly unfit for private representation, and that I hope you will give it up. I cannot but suppose you will when you have read it carefully over. Read only the first act aloud to either your mother or aunt, and see how you can approve it. It will not be necessary to send you to your father's judgment, I am convinced."

"I am sorry for it,"

"but in this matter it is you who are to lead. You must set the example. If others have blundered, it is your place to put them right, and shew them what true delicacy is. In all points of decorum your conduct must be law to the rest of the party."

"Do you imagine that I could have such an idea in my head? No; let your conduct be the only harangue. Say that, on examining the part, you feel yourself unequal to it; that you find it requiring more exertion and confidence than you can be supposed to have. Say this with firmness, and it will be quite enough. All who can distinguish will understand your motive. The play will be given up, and your delicacy honoured as it ought."

"I am convinced, madam,"

"that Sir Thomas would not like it."

"What!"

"if she knew your reasons!"

"I had my choice of the parts,"

"but I thought I should like the Count best, though I do not much relish the finery I am to have."

"The Count has two-and-forty speeches,"

"which is no trifle."

"My advice,"

"is that you change the play."

"That circumstance would by no means tempt me,"

"for I should be sorry to make the character ridiculous by bad acting. It must be very difficult to keep Anhalt from appearing a formal, solemn lecturer; and the man who chuses the profession itself is, perhaps, one of the last who would wish to represent it on the stage."

"If you are afraid of half a dozen speeches,"

"what would you do with such a part as mine? I have forty-two to learn."

"Do not urge her, madam,"

"It is not fair to urge her in this manner. You see she does not like to act. Let her chuse for herself, as well as the rest of us. Her judgment may be quite as safely trusted. Do not urge her any more."

"Can I speak with you, Fanny, for a few minutes?"

"I want to consult. I want your opinion."

"Yes, your advice and opinion. I do not know what to do. This acting scheme gets worse and worse, you see. They have chosen almost as bad a play as they could, and now, to complete the business, are going to ask the help of a young man very slightly known to any of us. This is the end of all the privacy and propriety which was talked about at first. I know no harm of Charles Maddox; but the excessive intimacy which must spring from his being admitted among us in this manner is highly objectionable, the more than intimacy— the familiarity. I cannot think of it with any patience; and it does appear to me an evil of such magnitude as must, if possible, be prevented. Do not you see it in the same light?"

"There is but one thing to be done, Fanny. I must take Anhalt myself. I am well aware that nothing else will quiet Tom."

"It is not at all what I like,"

"No man can like being driven into the appearance of such inconsistency. After being known to oppose the scheme from the beginning, there is absurdity in the face of my joining them now, when they are exceeding their first plan in every respect; but I can think of no other alternative. Can you, Fanny?"