Austen Said:

Patterns of Diction in Jane Austen's Major Novels

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"Oh dear, no, ma'am, nobody suspected you! Well, Edmund,"
"but this I will maintain, that we shall be doing no harm."
"And I am convinced to the contrary. Nobody is fonder of the exercise of talent in young people, or promotes it more, than my father, and for anything of the acting, spouting, reciting kind, I think he has always a decided taste. I am sure he encouraged it in us as boys. How many a time have we mourned over the dead body of Julius Caesar, and to be'd and not to be'd, in this very room, for his amusement? And I am sure, my name was Norval, every evening of my life through one Christmas holidays."
"I know all that,"
"I know my father as well as you do; and I'll take care that his daughters do nothing to distress him. Manage your own concerns, Edmund, and I'll take care of the rest of the family."
"For everything of that nature I will be answerable,"
"His house shall not be hurt. I have quite as great an interest in being careful of his house as you can have; and as to such alterations as I was suggesting just now, such as moving a bookcase, or unlocking a door, or even as using the billiard-room for the space of a week without playing at billiards in it, you might just as well suppose he would object to our sitting more in this room, and less in the breakfast-room, than we did before he went away, or to my sister's pianoforte being moved from one side of the room to the other. Absolute nonsense!"
"Yes, the expense of such an undertaking would be prodigious! Perhaps it might cost a whole twenty pounds. Something of a theatre we must have undoubtedly, but it will be on the simplest plan: a green curtain and a little carpenter's work, and that's all; and as the carpenter's work may be all done at home by Christopher Jackson himself, it will be too absurd to talk of expense; and as long as Jackson is employed, everything will be right with Sir Thomas. Don't imagine that nobody in this house can see or judge but yourself. Don't act yourself, if you do not like it, but don't expect to govern everybody else."
"Oh no, that will never do! Let us have no ranting tragedies. Too many characters.
"This will never do,"
"We are wasting time most abominably. Something must be fixed on. No matter what, so that something is chosen. We must not be so nice. A few characters too many must not frighten us. We must double them. We must descend a little. If a part is insignificant, the greater our credit in making anything of it. From this moment I make no difficulties. I take any part you chuse to give me, so as it be comic. Let it but be comic, I condition for nothing more."
"Lovers' Vows! And why should not Lovers' Vows do for us as well as for the Ravenshaws? How came it never to be thought of before? It strikes me as if it would do exactly. What say you all? Here are two capital tragic parts for Yates and Crawford, and here is the rhyming Butler for me, if nobody else wants it; a trifling part, but the sort of thing I should not dislike, and, as I said before, I am determined to take anything and do my best. And as for the rest, they may be filled up by anybody. It is only Count Cassel and Anhalt."
"It falls as naturally, as necessarily to her,"
"as Agatha does to one or other of my sisters. It can be no sacrifice on their side, for it is highly comic."
"Oh yes! Maria must be Agatha. Maria will be the best Agatha. Though Julia fancies she prefers tragedy, I would not trust her in it. There is nothing of tragedy about her. She has not the look of it. Her features are not tragic features, and she walks too quick, and speaks too quick, and would not keep her countenance. She had better do the old countrywoman: the Cottager's wife; you had, indeed, Julia. Cottager's wife is a very pretty part, I assure you. The old lady relieves the high-flown benevolence of her husband with a good deal of spirit. You shall be Cottager's wife."
"Cottager's wife!"
"What are you talking of? The most trivial, paltry, insignificant part; the merest commonplace; not a tolerable speech in the whole. Your sister do that! It is an insult to propose it. At Ecclesford the governess was to have done it. We all agreed that it could not be offered to anybody else. A little more justice, Mr. Manager, if you please. You do not deserve the office, if you cannot appreciate the talents of your company a little better."
"Why, as to that,my good friend, till I and my company have really acted there must be some guesswork; but I mean no disparagement to Julia. We cannot have two Agathas, and we must have one Cottager's wife; and I am sure I set her the example of moderation myself in being satisfied with the old Butler. If the part is trifling she will have more credit in making something of it; and if she is so desperately bent against everything humorous, let her take Cottager's speeches instead of Cottager's wife's, and so change the parts all through; he is solemn and pathetic enough, I am sure. It could make no difference in the play, and as for Cottager himself, when he has got his wife's speeches, I would undertake him with all my heart."
"No, no, Julia must not be Amelia. It is not at all the part for her. She would not like it. She would not do well. She is too tall and robust. Amelia should be a small, light, girlish, skipping figure. It is fit for Miss Crawford, and Miss Crawford only. She looks the part, and I am persuaded will do it admirably."
"Miss Crawford must be Amelia. She will be an excellent Amelia."
"We have got a play,"
"It is to be Lovers' Vows; and I am to be Count Cassel, and am to come in first with a blue dress and a pink satin cloak, and afterwards am to have another fine fancy suit, by way of a shooting-dress. I do not know how I shall like it."
"Yes,"
"After all our debatings and difficulties, we find there is nothing that will suit us altogether so well, nothing so unexceptionable, as Lovers' Vows. The wonder is that it should not have been thought of before. My stupidity was abominable, for here we have all the advantage of what I saw at Ecclesford; and it is so useful to have anything of a model! We have cast almost every part."
"I come in three times, and have two-and-forty speeches. That's something, is not it? But I do not much like the idea of being so fine. I shall hardly know myself in a blue dress and a pink satin cloak."
"I had my choice of the parts,"
"but I thought I should like the Count best, though I do not much relish the finery I am to have."
"The Count has two-and-forty speeches,"
"which is no trifle."
"I should be but too happy in taking the part, if it were possible,"
"but, unluckily, the Butler and Anhalt are in together. I will not entirely give it up, however; I will try what can be done— I will look it over again."
"Your brother should take the part,"
"Do not you think he would?"
"I shall not ask him,"
"Fanny,"
"we want your services."
"Oh! we do not want to disturb you from your seat. We do not want your present services. We shall only want you in our play. You must be Cottager's wife."
"Indeed, but you must, for we cannot excuse you. It need not frighten you: it is a nothing of a part, a mere nothing, not above half a dozen speeches altogether, and it will not much signify if nobody hears a word you say; so you may be as creep-mouse as you like, but we must have you to look at."
"If you are afraid of half a dozen speeches,"
"what would you do with such a part as mine? I have forty-two to learn."
"Yes, yes, you can act well enough for us. Learn your part, and we will teach you all the rest. You have only two scenes, and as I shall be Cottager, I'll put you in and push you about, and you will do it very well, I'll answer for it."
"Phoo! Phoo! Do not be so shamefaced. You'll do it very well. Every allowance will be made for you. We do not expect perfection. You must get a brown gown, and a white apron, and a mob cap, and we must make you a few wrinkles, and a little of the crowsfoot at the corner of your eyes, and you will be a very proper, little old woman."
"But there will not be the smallest difficulty in filling it,"
"We have but to speak the word; we may pick and chuse. I could name, at this moment, at least six young men within six miles of us, who are wild to be admitted into our company, and there are one or two that would not disgrace us: I should not be afraid to trust either of the Olivers or Charles Maddox. Tom Oliver is a very clever fellow, and Charles Maddox is as gentlemanlike a man as you will see anywhere, so I will take my horse early to-morrow morning and ride over to Stoke, and settle with one of them."
"Perhaps,"
"Fanny may be more disposed to oblige us now. Perhaps you may persuade her."
"Oh! very well."
"Do you think there is anything so very fine in all this? For the life and soul of me, I cannot admire him; and, between ourselves, to see such an undersized, little, mean-looking man, set up for a fine actor, is very ridiculous in my opinion."
"Shall I go too? Had not I better go too? Will not it be right for me to go too?"
"he preferred remaining where he was, that he might pay his respects to the old gentleman handsomely since he was come; and besides, he did not think it would be fair by the others to have everybody run away."